VFX
Worldwide
Moonraker VFX Creates a ‘Cosmic Noir’ Universe for ‘Killers of the Cosmos’
Moonraker VFX, an award-winning visual effects studio based in Bristol, U.K., has set a studio record for the number of shots delivered in a single project to bring a ‘cosmic noir’ style to new hybrid documentary, Killers of the Cosmos. Produced by Wall to Wall Media, the six-part series stars Aidan Gillen as a gumshoe comic character, who embarks on a detective mission to uncover the evidence and threats to Earth that space throws at us.
The team at Moonraker led the production for the 10-minute drama footage within each episode, filming Game of Thrones actor Gillen on greenscreen and designing a visual aesthetic that places the character in comic-book style urban environments. The series, which is currently airing on Science Channel / Discovery+ (U.S.) and Discovery Channel (U.K.), boasts over 700 shots – all of which required bespoke graphic design and animation.
Killers of the Cosmos
Graham Stott, Creative Lead at Moonraker, commented, “Ingesting that number of shots, while maintaining a beautiful and consistent look, was a gigantic challenge for the team. It’s more than you would expect in a big budget feature. We had to make sure that Aidan not only looked consistent himself, but all the environments had the same visual motifs that hung together as a gallery of work.”
The VFX studio utilized a wide range of talent and wrote its own software tools, leaning on their technical VFX, animation and illustration teams to execute this new genre defining style that effectively treats live action frame by frame.
Killers of the Cosmos
“It was an aesthetic approach to a project we hadn’t tried before – relying on the best creative people in Moonraker to deliver such a large volume of work where the detail of every shot is considered and consistent,” noted Moonraker VFX Producer Hannah Lewis.
Tim Lambert, Executive Producer at Wall to Wall Media, said, “The team at Moonraker managed to create a fantastic but utterly believable world in which our gumshoe could operate. No one has done anything like this on a documentary series before, and we are delighted with the results.”
Killers of the Cosmos
