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Exclusive: ‘Jurassic World Dominon’ VFX Supe David Vickery Unleashes the Dinosaurs Again

***This article originally appeared in the 35th Anniversary issue of Animation Magazine (June-July '22, No. 321)*** Twenty-eight years after the release of Steven Spielberg’s ground-breaking movie Jurassic...

Exclusive: How Chris Williams’ ‘The Sea Beast’ Took to the High Seas

***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June-July '22, No. 321)*** Big Hero 6 director Chris Williams is no stranger...

Exclusive: Amanda Forbis & Wendy Tilby Discuss Their Stunning New Short ‘The Flying Sailor’

***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June-July '22, No. 321)*** Animation lovers around the world do a little happy dance...

Exclusive: Annecy’s Eclectic VR Program Delivers the World of Tomorrow, Today

***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June-July '22, No. 321)*** The Annecy International Animation Film Festival has long strived...

Cannes: ‘Mia and Me: The Hero of Centopia’ Sparks a New Adventure for a Familiar Heroine

***This interview originally appeared in the May '22 issue of Animation Magazine (No. 320)*** For the past three decades, Thorsten Wegener has been producing high-profile...

Pixomondo Crafts Cinematic Worlds for ‘Star Trek’ & ‘Halo’ with KitBash3D

Pixomondo’s skilled team of artists across global facilities have crafted cinematic worlds for the most beloved and coveted IP. From Star Trek’s final frontier,...

Cooking Up a Second Serving of ‘Green Eggs and Ham’ with Exec Producer Helen Kalafatic

This week, home audiences can savor a fresh season of animated adventure inspired by the beloved stories of Dr. Seuss, as Green Eggs and...

Autodesk Rolls Out Next-Gen Updates to 3D Tools

Autodesk has unveiled a series of feature-loaded updates to its portfolio of 3D tools for artists working in the film, television, games and design...

‘Green’: Behind the Lush Photoreal Artistry of VES Student Award Winner

This year's winner of the Visual Effects Society (VES) Student Award, presented once again by Autodesk during the 20th annual VES Awards, uses richly...

How Digital Domain Built a Digital, Destructible Slice of NYC for ‘Spider-Man: No Way Home’

In Sony Pictures and Marvel Studios’ Spider-Man: No Way Home, nearly 20 years and three separate Spider-Man franchises converge into one of the most...

Twin Pines Recreates a Spectacular Naval Battle for ‘La Fortuna’

Twin Pines, the Madrid-based digital post-production company, looked after the visual effects for La Fortuna, the new Movistar+ series directed by Alejandro Amenábar. This...

Tech Reviews: Adobe Substance 3D Painter & Premiere, Isotropix Clarisse iFX 5

Adobe Substance 3D Painter The latest edition of Adobe Substance 3D Painter has some pretty exciting new tools. Earlier in the year, there was a...

Gary Mundell Named COO of Award-Winning Tippett Studio

Tippett Studio, founded by two-time Academy Award-winning artist, animator and filmmaker Phil Tippett (whose VFX work can be seen in legendary films such as...

Sacha Goedegebure Takes Us Behind the Scenes of His Short ‘Soft Rain’

Singapore-based Omens Studios' new animated short Soft Rain recently took home the Best Short Film prize at the Asian Television Awards. The short centers...

Sidus Animation Delivers Charming Characters for Korean Romantic Drama ‘Yumi’s Cells’

The popular South Korean romantic drama Yumi’s Cells, which is based on the eponymous Webtoon, uses memorable CG-animated sequences depicting the main character’s adventures...

Tech Reviews: EmberGen, KeenTools & thinkingParticles 7

***This article originally appeared in the December '21 issue of Animation Magazine (No. 315)*** EmberGen Beta We all know that the heavy demand for VFX is...

Autodesk Acquiring LoUPE Cloud-Based Animation Pipeline Tech from Tangent Labs

Autodesk today announced the acquisition of LoUPE, the powerful cloud-based production pipeline technology for artists and studios, and is hiring the team that created...

Brazil’s Pinguim Content Charts a Course to the Big Screen with Two New Projects

***This article originally appeared in the December '21 issue of Animation Magazine (No. 315)*** When Brazilian animation veterans Kiko Mistrorigo and Celia Catunda founded their...

Autodesk Envisions Cloud-Based Production Ecosystem for Media & Entertainment

Demand for streaming content and games is exploding due to the global pandemic, which spurred massive changes across the media and entertainment (M&E) industry....

Hansel and Gretel’s Wild Ride: ‘A Tale Dark & Grimm’ Brings Unpredictable Fairy Tales to Netflix

***This article originally appeared in the November '21 issue of Animation Magazine (No. 314)*** Fans of hilarious takes on twisted European fairy tales will be...
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