The Revenant

Nature Goes Digital

ILM uses movement, choreography to make the bear attack in The Revenant as realistic and harrowing as possible.  Industrial Light & ... Continue Reading →
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Daily News Bytes

Oscar Ballot Guide – Animation Character Design Pixar’s Albert Lozano, Blue Sky’s Nick Bruno and Scott Carroll, Anomalisa’s Carol Koch, Laika’s David Vandervoort and ILM’s ... Continue Reading →
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Gnomon Alumni Panel to Offer Tips on Breaking In

The Gnomon School of Visual Effects, Games & Animation is presenting Nov. 5 a panel discussion titled How to Break into the Industry — Alumni Panel, featuring a quartet of former ... Continue Reading →
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Academy Considers 20 Sci-Tech Achievements

The Scientific and Technical Awards Committee of the Academy of Motion Picture Arts and Sciences announced today that 20 scientific and technical achievements, involving 11 distinct ... Continue Reading →
Avengers: Age of Ultron

Serious Assembly Required

ILM and Trixter spearhead the complex mo-cap, animation and effects wizardry that required 19 facilities to make Marvel’s Avengers: ... Continue Reading →
Jurassic World

A Breed Above

ILM revisits and remixes its iconic digital creatures for the return visit to the land of dinosaurs in Jurassic World. Though barely ... Continue Reading →
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Hitting a High Note

Lucasfilm digs into the details in forging its own take on the musical animated fairy-tale with Strange Magic. If Strange ... Continue Reading →
Oscar Contenders: VFX

Oscar Watch: Best Visual Effects Contenders

The short list of visual effects films that will head to the annual bake-off won’t be known until early in December, but the race is still a hot one that’s proving more ... Continue Reading →
November 2014 Tech Reviews

November 2014 Tech Reviews

Imagineer Systems’ mocha Pr Mocha Pro has worked its way into the visual effects and post-production world in a big way. If you doubt me, then you can probably take it up with the ... Continue Reading →
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ILM’s Knoll, Producer Hurd Join Academy Sci-Tech Council

ILM chief creative officer John Knoll and producer Gale Anne Hurd have joined the Academy of Motion Picture Arts and Science’s Science and Technology Council. Also accepting invitations ... Continue Reading →