“In my heart I feel like it really is the end. Part of it is that the final episode is so satisfying to me. It almost feels like we’d be wasting it if we came back again … But on the other hand, I’m reminded that I did say that with full conviction at least twice before, so people don’t seem to believe me. My opinion has been shown to be not of much value in predicting the future on this one subject.” — David X. Cohen, co-creator of Futurama, which aired its final episode on Comedy Central last month.
“The pool is big. The water’s warm … The more the merrier. Some come in and make a bad movie. I like healthy competition. I’d much rather be in a healthy industry than be the only player in a dead industry.” — Disney/Pixar’s CCO John Lasseter commenting on the fact that the summer of 2013 had a record number of animated features playing in theaters.
“[Gru] can’t disguise the malicious intent… That personality wasn’t going to transform just because his profession transformed. He was still a guy who was prone to be a curmudgeon and was unsocialized. Had we lost our way on that, I don’t think the sequel would have worked.” — Illumination president Chris Meledandri on the global success of Despicable Me 2, which made over $316.8 million during its first week in release in July.
“The fact remains that few shows have been as steadily funny or as relentlessly inventive, imagining a future in which a buff, one-eyed alien heartthrob can find love with a doltish reanimated pizza delivery boy, and where the planet can be ruled by the cryonically preserved head of Richard M. Nixon.” — The New York Times’ Mike Hale on Futurama, which began its final season on Comedy Central last month
“I think it’s atrocious what they have done to Merida. When little girls say they like it because it’s more sparkly, that’s all fine and good, but, subconsciously, they are soaking in the sexy ‘come hither’ look and the skinny aspect of the new version. It’s horrible! Merida was created to break that mold—to give young girls a better, stronger role model, a more attainable role model, something of substance, not just a pretty face that waits around for romance … I forget that Disney’s goal is to make money without concern for integrity. Silly me.” — Oscar-winning director Brenda Chapman commenting on Disney’s much-criticized redesign of Brave‘s heroine Merida for its Princess line
“By bringing Mickey’s comedic adventures to life with vitality, humor, inventiveness and charm, the entire Disney Television Animation team of artists, animators and directors have worked to capture the essence of what Walt Disney himself created 85 years ago.” — Disney Channels Worldwide president Gary Marsh on the new Mickey Mouse series, which debuts in June
“I had kind of given up, you know? The movie came out in March, after all. I’m just delighted. We were very low key and [the movie] wasn’t shoved down people’s throats. I’m happy people remembered it fondly from when it was out.” — Peter Lord, director of Sony/Aardman’s The Pirates! Band of Misfits, on hearing about his film’s Oscar nomination
“The best touch in this nicely illustrated tale is Lily Bobtail, a rabbit who is new to the neighborhood and has all the brains that Peter seems to lack. Nothing like a little girl power to freshen up a century-old group of characters.” — The New York Times review of Nickelodeon’s new CG-animated Peter Rabbit’s Christmas Tale
“The two best animation studios in the world, DreamWorks and Pixar, are in a transition period where they are obliged to invent new things so that they don’t repeat the same film all the time. More than ever, even in its business aspects, animation needs inventiveness and artists. I’m very curious to find out what will happen in the coming years.” — Joann Sfar, co-director, producer and writer of The Rabbi’s Cat