From Academy Award blockbusters Titanic and Milk to Emmy-nominated
performances in Alias and Will & Grace to Tony Award nods for a
lengthy list of leading roles on Broadway, Victor Garber has achieved
acting greatness regardless of the format.
Now add animation to his list of successes.
In his animation debut, Garber masterfully crafts the voice for the
calculating, villainous Sinestro in Green Lantern: First Flight, the
fifth in the ongoing series of DC Universe animated original PG-13
movies. Warner Premiere, DC Comics and Warner Bros. Animation are set
to release the all-new film - as a special edition 2-disc DVD, a
Blu-Ray™ Hi-Def edition, as well as single disc DVD - on July 28,
2009, as distributed by Warner Home Video. The action-packed movie
will also be available OnDemand and Pay-Per-View as well as available
for download day and date, July 28, 2009.
performances in Alias and Will & Grace to Tony Award nods for a
lengthy list of leading roles on Broadway, Victor Garber has achieved
acting greatness regardless of the format.
Now add animation to his list of successes.
In his animation debut, Garber masterfully crafts the voice for the
calculating, villainous Sinestro in Green Lantern: First Flight, the
fifth in the ongoing series of DC Universe animated original PG-13
movies. Warner Premiere, DC Comics and Warner Bros. Animation are set
to release the all-new film - as a special edition 2-disc DVD, a
Blu-Ray™ Hi-Def edition, as well as single disc DVD - on July 28,
2009, as distributed by Warner Home Video. The action-packed movie
will also be available OnDemand and Pay-Per-View as well as available
for download day and date, July 28, 2009.
Green Lantern: First Flight finds Hal Jordan recruited to join the
Green Lantern Corps and placed under the supervision of respected
senior Lantern Sinestro. The earthling soon discovers his mentor is
actually the central figure in a secret conspiracy that threatens the
philosophies, traditions and hierarchy of the entire Green Lantern
Corps. Hal must quickly hone his newfound powers and combat the
treasonous Lanterns within the ranks to maintain order in the
universe.
The Canadian-born Garber first captured national attention in his 1973
big screen debut as Jesus in Godspell. Garber's film credits include
Titanic, Milk and Sleepless in Seattle, while his television career
boasts six Emmy Award nominations spread over four different series,
miniseries and movies. He earned a Saturn Award as Best Supporting
Actor in a Television Series for his portrayal of Sydney Bristow's
mysterious father in Alias, and most recently was featured in Eli
Stone and Justice.
The toast of Broadway for more than three decades, Garber has four
Tony Award nominations for a career of performances that range from
the Devil in Damn Yankees! to originating the role of John Wilkes
Booth in Stephen Sondheim's Assassins.
Though Garber has recorded books on tape and done some narration for
television, Green Lantern: First Flight represents his first-ever
voiceover performance for animation. It is an ear-catching performance
that captures Sinestro's true sinister nature. Garber stole a few
moments during his New York-based Green Lantern: First Flight
recording sessions to chat about his first-ever animation experience,
his hero-posturing co-star, Simon Cowell's attitude, and the directing
tornado that is Andrea Romano.
For your enjoyment and, of course, liberal use in your journalistic
endeavors, here is the first in a series of Q&A interviews with Green
Lantern: First Flight voiceover cast members and filmmakers - this one
featuring the voice of Sinestro, Victor Garber ...
QUESTION: How did you settle on the voice of Sinestro?
VICTOR GARBER: The challenge of bringing this character to life was
to find exactly the right tone. My tendency would be to make it a
little too colorful, but Andrea (Romano) and Bruce (Timm) gave
direction that was very specifically to modulate it and find the right
tone. It was interesting because with animation, it's all voice - at
the recording stage of the process, you don't even really know what
it's going to look like. But when I read the script, I had sort of an
idea of the sound of Sinestro, because it was very specifically
written - and very well written - so you could understand the sense of
humor and irony in this character. I appreciated that.
QUESTION: How does Sinestro compare to other characters you've played before?
VICTOR GARBER: Having played the the ultimate villain as the Devil
many years ago in Damn Yankees!, I found Sinestro was just kind of a
modification of that character. The thing about villains is that they
all think they're doing the right thing, and Sinestro believes that
what he's doing is for the better, that it's going to improve the
universe. The scariest part about a villain is that you know, at any
cost, human life or super-powered life, they will do whatever it takes
to achieve their goal. They believe in their cause, and Sinestro fits
that mold.
QUESTION: Do you enjoy playing the villain?
VICTOR GARBER: I like to play any character that has dimension and
complexity and if he happens to be a villain, great. If he happens to
be heroic, great. I just like well-written roles.
QUESTION: What development did you put into the voice?
VICTOR GARBER: I actually read the script aloud a couple of times and
sort of experimented with a certain qualities. In the script, it says
- and maybe this was a bit misleading - but it refers to Sinestro as
having a bit of a Simon Cowell attitude. I tried not to let that
influence me too much, but Sinestro is sarcastic and he's got a real
edge. So I played with it, and once I got into the studio with Andrea,
the voice really came out.
QUESTION: What was your impression of Sinestro's dialogue?
VICTOR GARBER: When I first read the script, I came to these
four-paragraph speeches, and that always alarms me a little bit
because with anything (that long), you really have to figure out how
you're going to shape the entire piece. But they're well written, and
they have a definite rhythm. So I sort of read it aloud in the privacy
of my own home, because I just wanted to get the sound of it - you
don't want to be tripping over your words when you get to the studio.
So I had a sense of what I wanted to achieve and it worked out pretty
well.
It's important to prepare and understand the entire script, not just
your lines. You don't want to upstage the other actors. If it's a
scene with two or three or five people, you really basically need to
think, "How am I communicating with all these people?" Everybody in
this mix makes it whole, and I think they've assembled a really good
group of people for this film.
QUESTION: Speaking of the cast, you're playing opposite Christopher
Meloni's heroic Green Lantern, and you had the opportunity to act with
each other in the booth. How was that experience?
VICTOR GARBER: Chris was very disappointing (LAUGHS). Christopher
Meloni is a really great actor and I'm a huge fan of his -- the
opportunity to work with him was really my incentive to do it. I'm on
a little break, I've just come back from Morocco, I was jet lagged and
my agent called and I thought, "Two days in the studio with Chris
Meloni? I can do that." We had a lot of fun. He really does exude the
heroic quality that Green Lantern would embody. It was funny because
you're in the studio and you're focused on the microphone, reading the
script - you hear each other in your headphones so you can play off
each other, but you don't really look at each other. And occasionally
I would catch a glimpse of him - striking the (super hero) pose. He
was definitely in character.
QUESTION: Did your previous work on the stage and screen help prepare
you for this style of performance?
VICTOR GARBER: From my experience as an actor, every role you do
helps you build a kind of a repertoire of characters that you pull
things from unconsciously. This is very different from anything I've
done on television or even on stage. But my job as an actor is to
imbue it with some sort of authenticity and truth - to make it
believable. I didn't pull anything for Sinestro from any specific
character I've played in the past. They're all different.
QUESTION: From Nora Ephron to Gus Van Sant to James Cameron, you've
worked with some impressive directors. What was your impression of
your first voiceover under the direction of Andrea Romano?
VICTOR GARBER: Andrea is a task maker. She's brilliant at her job, I
have to say. You just feel confident that there's someone in the booth
that's really watching out for you. She's very specific, she knows
what she wants, and she's relentless at getting it - which is a great
thing because then you know that the product is going to be the best
it can be. I had a great time with her.
QUESTION: Based on this first experience, are you interested in doing
more voiceovers for animation?
VICTOR GARBER: Well, I hope that people like what we've done and I
hope I get more work from it, but you never know. It was challenging
in that it requires some very specific techniques with the microphone,
things that you would do naturally that you can't do during a
voiceover. There are constraints that you're required to pay attention
to. But it was completely fun to do and challenging only in the best
sense. I'd like to do more.
Please visit the film's official website at www.greenlanternmovie.com
Green Lantern Corps and placed under the supervision of respected
senior Lantern Sinestro. The earthling soon discovers his mentor is
actually the central figure in a secret conspiracy that threatens the
philosophies, traditions and hierarchy of the entire Green Lantern
Corps. Hal must quickly hone his newfound powers and combat the
treasonous Lanterns within the ranks to maintain order in the
universe.
The Canadian-born Garber first captured national attention in his 1973
big screen debut as Jesus in Godspell. Garber's film credits include
Titanic, Milk and Sleepless in Seattle, while his television career
boasts six Emmy Award nominations spread over four different series,
miniseries and movies. He earned a Saturn Award as Best Supporting
Actor in a Television Series for his portrayal of Sydney Bristow's
mysterious father in Alias, and most recently was featured in Eli
Stone and Justice.
The toast of Broadway for more than three decades, Garber has four
Tony Award nominations for a career of performances that range from
the Devil in Damn Yankees! to originating the role of John Wilkes
Booth in Stephen Sondheim's Assassins.
Though Garber has recorded books on tape and done some narration for
television, Green Lantern: First Flight represents his first-ever
voiceover performance for animation. It is an ear-catching performance
that captures Sinestro's true sinister nature. Garber stole a few
moments during his New York-based Green Lantern: First Flight
recording sessions to chat about his first-ever animation experience,
his hero-posturing co-star, Simon Cowell's attitude, and the directing
tornado that is Andrea Romano.
For your enjoyment and, of course, liberal use in your journalistic
endeavors, here is the first in a series of Q&A interviews with Green
Lantern: First Flight voiceover cast members and filmmakers - this one
featuring the voice of Sinestro, Victor Garber ...
QUESTION: How did you settle on the voice of Sinestro?
VICTOR GARBER: The challenge of bringing this character to life was
to find exactly the right tone. My tendency would be to make it a
little too colorful, but Andrea (Romano) and Bruce (Timm) gave
direction that was very specifically to modulate it and find the right
tone. It was interesting because with animation, it's all voice - at
the recording stage of the process, you don't even really know what
it's going to look like. But when I read the script, I had sort of an
idea of the sound of Sinestro, because it was very specifically
written - and very well written - so you could understand the sense of
humor and irony in this character. I appreciated that.
QUESTION: How does Sinestro compare to other characters you've played before?
VICTOR GARBER: Having played the the ultimate villain as the Devil
many years ago in Damn Yankees!, I found Sinestro was just kind of a
modification of that character. The thing about villains is that they
all think they're doing the right thing, and Sinestro believes that
what he's doing is for the better, that it's going to improve the
universe. The scariest part about a villain is that you know, at any
cost, human life or super-powered life, they will do whatever it takes
to achieve their goal. They believe in their cause, and Sinestro fits
that mold.
QUESTION: Do you enjoy playing the villain?
VICTOR GARBER: I like to play any character that has dimension and
complexity and if he happens to be a villain, great. If he happens to
be heroic, great. I just like well-written roles.
QUESTION: What development did you put into the voice?
VICTOR GARBER: I actually read the script aloud a couple of times and
sort of experimented with a certain qualities. In the script, it says
- and maybe this was a bit misleading - but it refers to Sinestro as
having a bit of a Simon Cowell attitude. I tried not to let that
influence me too much, but Sinestro is sarcastic and he's got a real
edge. So I played with it, and once I got into the studio with Andrea,
the voice really came out.
QUESTION: What was your impression of Sinestro's dialogue?
VICTOR GARBER: When I first read the script, I came to these
four-paragraph speeches, and that always alarms me a little bit
because with anything (that long), you really have to figure out how
you're going to shape the entire piece. But they're well written, and
they have a definite rhythm. So I sort of read it aloud in the privacy
of my own home, because I just wanted to get the sound of it - you
don't want to be tripping over your words when you get to the studio.
So I had a sense of what I wanted to achieve and it worked out pretty
well.
It's important to prepare and understand the entire script, not just
your lines. You don't want to upstage the other actors. If it's a
scene with two or three or five people, you really basically need to
think, "How am I communicating with all these people?" Everybody in
this mix makes it whole, and I think they've assembled a really good
group of people for this film.
QUESTION: Speaking of the cast, you're playing opposite Christopher
Meloni's heroic Green Lantern, and you had the opportunity to act with
each other in the booth. How was that experience?
VICTOR GARBER: Chris was very disappointing (LAUGHS). Christopher
Meloni is a really great actor and I'm a huge fan of his -- the
opportunity to work with him was really my incentive to do it. I'm on
a little break, I've just come back from Morocco, I was jet lagged and
my agent called and I thought, "Two days in the studio with Chris
Meloni? I can do that." We had a lot of fun. He really does exude the
heroic quality that Green Lantern would embody. It was funny because
you're in the studio and you're focused on the microphone, reading the
script - you hear each other in your headphones so you can play off
each other, but you don't really look at each other. And occasionally
I would catch a glimpse of him - striking the (super hero) pose. He
was definitely in character.
QUESTION: Did your previous work on the stage and screen help prepare
you for this style of performance?
VICTOR GARBER: From my experience as an actor, every role you do
helps you build a kind of a repertoire of characters that you pull
things from unconsciously. This is very different from anything I've
done on television or even on stage. But my job as an actor is to
imbue it with some sort of authenticity and truth - to make it
believable. I didn't pull anything for Sinestro from any specific
character I've played in the past. They're all different.
QUESTION: From Nora Ephron to Gus Van Sant to James Cameron, you've
worked with some impressive directors. What was your impression of
your first voiceover under the direction of Andrea Romano?
VICTOR GARBER: Andrea is a task maker. She's brilliant at her job, I
have to say. You just feel confident that there's someone in the booth
that's really watching out for you. She's very specific, she knows
what she wants, and she's relentless at getting it - which is a great
thing because then you know that the product is going to be the best
it can be. I had a great time with her.
QUESTION: Based on this first experience, are you interested in doing
more voiceovers for animation?
VICTOR GARBER: Well, I hope that people like what we've done and I
hope I get more work from it, but you never know. It was challenging
in that it requires some very specific techniques with the microphone,
things that you would do naturally that you can't do during a
voiceover. There are constraints that you're required to pay attention
to. But it was completely fun to do and challenging only in the best
sense. I'd like to do more.
Please visit the film's official website at www.greenlanternmovie.com
