The Academy of Motion Picture Arts and Sciences is recognizing developments in 3D, motion capture and ambient occlusion rendering in announcing the awarding of 15 scientific and technical achievements.
The 46 individuals the awards recognize will be honored at the academy’s annual Scientific and Technical Awards Presentation, which will be held at the Beverly Wilshire Hotel on Feb. 20.
The winners of the academy’s Technical Achievement Award, for which they will receive an Academy Certificate, are:
‘ Mark Wolforth and Tony Sedivy for their contributions to the development of the Truelight real-time 3D look-up table hardware system. Through the use of color management software and hardware, this complete system enables accurate color presentation in the digital intermediate preview process.
‘ Klaus Anderle, Christian Baeker and Frank Billasch for their contributions to the LUTher 3D look-up table hardware device and color management software. The LUTher hardware was the first color look-up table processor to be widely adopted by the pioneering digital intermediate facilities in the industry.
‘ Steve Sullivan, Kevin Wooley, Brett Allen and Colin Davidson for the development of the Imocap on-set performance capture system. Developed at Industrial Light & Magic and consisting of custom hardware and software, Imocap is an innovative system that successfully addresses the need for on-set, low-impact performance capture.
‘ Hayden Landis, Ken McGaugh and Hilmar Koch for advancing the technique of ambient occlusion rendering. Ambient occlusion has enabled a new level of realism in synthesized imagery and has become a standard tool for computer graphics lighting in motion pictures.
‘ Bjorn Heden for the design and mechanical engineering of the silent, two-stage planetary friction drive Heden Lens Motors. Solving a series of problems with one integrated mechanism, this device had an immediate and significant impact on the motion picture industry.
The winners of the academy’s Scientific and Engineering Awards, for which they will receive an Academy Plaque, are:
‘ Per Christensen and Michael Bunnell for the development of point-based rendering for indirect illumination and ambient occlusion.
‘ Richard Kirk for the overall design and development of the Truelight real-time 3D look-up table hardware device and color management software.
‘ Volker Massmann, Markus Hasenzahl, Klaus Anderle and Andreas Loew for the development of the Spirit 4K/2K film scanning system as used in the digital intermediate process for motion pictures. The Spirit 4K/2K has distinguished itself by incorporating a continuous-motion transport mechanism enabling full-range, high-resolution scanning at much higher frame rates than non-continuous transport scanners.
‘ Michael Cieslinski, Reimar Lenz and Bernd Brauner for the development of the ARRISCAN film scanner, enabling high-resolution, high-dynamic range, pin-registered film scanning for use in the digital intermediate process.
‘ Wolfgang Lempp, Theo Brown, Tony Sedivy and John Quartel for the development of the Northlight film scanner, which enables high-resolution, pin-registered scanning in the motion picture digital intermediate process.
‘ Steve Chapman, Martin Tlaskal, Darrin Smart and James Logie for their contributions to the development of the Baselight color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process.
‘ Mark Jaszberenyi, Gyula Priskin and Tamas Perlaki for their contributions to the development of the Lustre color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process.
‘ Brad Walker, D. Scott Dewald, Bill Werner and Greg Pettitt for their contributions furthering the design and refinement of the Texas Instruments DLP Projector, achieving a level of performance that enabled color-accurate digital intermediate previews of motion pictures.
‘ FUJIFILM Corporation, Ryoji Nishimura, Masaaki Miki and Youichi Hosoya for the design and development of Fujicolor ETERNA-RDI digital intermediate film, which was designed exclusively to reproduce motion picture digital masters.
‘ Paul Debevec, Tim Hawkins, John Monos and Mark Sagar for the design and engineering of the Light Stage capture devices and the image-based facial rendering system developed for character relighting in motion pictures.