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Klay Hall
Film Roman
Supervising
Director,
King of the Hill
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I realized I wanted to be in animation when I saw:
Pinocchio at a drive-in with my mom and dad. Wow,
that blew me away. It inspired me to draw all along in school.
I was also particularly encouraged by an art teacher Dick Cottrell
who gave me confidence; the kind of confidence you get when someone
just says, "You know you can do it."
When I was a kid I:
was
infatuated with classical Disney. My friends and I drew our own
flipbooks; bouncing ball sort of things that morphed into men.
My parents wanted me to be:
It
wasn't like they wanted me to be a doctor or anything. They encouraged
me to follow my dreams and were behind whatever I loved.
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| Klay
working on an upcoming one-hour special. That's a Pirates
of the Caribbean poster above his desk... |
My first job (of any kind) was:
a
gas station attendant at a Canoga Park Texaco station. I was 14-years-old
and thats when they still had full service. I washed windows;
I even vacuumed cars.
My first big break in animation was:
working
as an assistant at a commercial studio in Hollywood called Film
Fair. I worked on the Raid commercials for Frank Terry, Cheryl
Abood, Sam Cornell, Becky Bristow and Chris Buck. When I got there,
they put me in a room with Art Babbitt. I was just this kid sitting
with Art Babbitt. It was amazing. He told such great stories about
working at Disney and reminiscing about the Golden Years. He was
a funny guy and a great storyteller.
My career in animation is most influenced by:
Brad
Bird, when I worked on Family Dog, Chris Buck and Darrell
Van Citters. They taught me to take my time and do it right in
spite of everything. Brad would always say, "Your mistake will
live forever. If you get it done right, you wont ever have
to think twice about it." In primetime, of course, thats
a pretty difficult thing to do. But, if youre really prepped
upfront, you catch most of your mistakes, especially when youve
got a team effort going. We have 135 people on King of the
Hill and I have nine directors under me who each have six
to eight member teams below them. And, all those people are trying
to do the best jobs possible.
I'm most proud of:
my
two sons Luke and Jack and my wife Debra.
One thing I would change about the animation business is:
more
time.
The animated character I'm most like is:
Peter
Pan, the guy who never grew up
Im still a kid in so
many ways.
What I'd like to be doing in 10 years:
directing
and producing successful animation and fly-fishing in the Tetons.